Top Posts from my First Year on Substack

I napped, I cried, I got published

Top Posts from my First Year on Substack
The Twelve Months of the Year, by an unknown artist, from the Royal Cornwall Collections. (This weird little painting transformed for me when I imagined a woman might have painted it. “…anonymous was a woman.”—Virginia Wolf)

I migrated to this platform a year ago, packing up my Patreon and making the leap to Substack. My wee cadre of Patreon supporters really saw me through the writing of Ashes & Stones. They supported me through those tough years and were the first readers of my field notes, the first to see my documentation and research.

To those supporters who followed me onto this platform, I thank you—and to all the new readers, I am thrilled we have found each other. As I go forward with tentative steps into the next book, paid subscribers here will be the first to glimpse these new field notes and revelations.

This blog has become a place for authentic conversations. Thank you for being here and for being a part of that. I love that this is still possible, despite the many mediums designed to hypnotise us into isolated reveries.

Attention is the rarest and purest form of generosity.

—Simone Weil

To celebrate this anniversary, I have put together a round-up of my top six posts over the last year:

a photo f a bookshelf with colourful books and a long trailing housepland

1. Unpacking my books: on Walter Benjamin, bibliophilia, and word hoards

When I talk about my books, I am talking about myself—what has chosen me, accompanied across many state lines, national borders and vast bodies of water.

After moving to Orkney, my boxes of books were the last things I unpacked. I talk about the tomes that followed me across the Pentland Firth and the ones that didn’t.

2. The Witch is Reel In: on performing witchy-ness

I made the elevator pitch about my spiritual identity. I danced the witches reel.

This is a post about coming out of the broom closet and navigating the cottage industry of the witch vogue.

A photo of a small stone house and byre, with a drystone fence in the foreground, bisecting the photo. Dramatic cliffs loom in the background, and a calm sea is on the right. The sky is blue with fluffy clouds
The bothy in Rackwick on Hoy. Photo taken by me.

3. Other People’s Houses: on gentrification, displacement and longing

“Houses are selling in seven minutes,” the estate agent warns as she stands in the bare kitchen, dressed in a trench coat and heels, her faux Gucci bag thrown onto the countertop with studied insouciance.

In this post I talk about the disorientation of looking for a home and the colonial roots of gentrification.

4. New LIghtning Moon: thunder magic & Shuhada Sinead

This culture can’t hold its visionaries, can neither see nor hear them without devouring them first to see what they taste like.  

I come to grips with Shuhada Sinead’s death and what her life and work meant to me.

5. Blue Moon Magic & Subversive Joy: on being a paperback writer

Exuberance has been a tricky place to navigate emotionally—yet that’s the mood I’m in. It’s contained in “September.” —our hearts were ringing
/ In the key that our souls were singing
.

…in which I practice being happy.

A stylised painting of a woman sleeping on a divan, the background is black, sweeping vines in eleganct arches, and roses are growing up around her
Sleeping Beauty by Edward Burne-Jones

6. Nocturnal Harvests: reaping the nap year at Lammas

In my year of sleep I have discovered all teachings, the deepest information, is processed this way as the body resets and heals. 

I kept a dream diary for a year and made each dream into a line of a poem, recorded here (the overshare begins under the paywall).


Baker, Ellen Harding, Solar System Quilt 1883. via the Smithsonian archives.

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a promotional image for my book, Ashes and Stones. It has a quote from the New York Times "Lyrical Magic" and features a gloomy grey sky over bright heather on a bleak moorland

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